Facadomy

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	<title>Facadomy</title>
	<link>https://facadomy.org</link>
	<description>Facadomy</description>
	<pubDate>Thu, 14 Jan 2021 16:35:35 +0000</pubDate>
	<generator>https://facadomy.org</generator>
	<language>en</language>
	
		
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		<title>HOME</title>
				
		<link>https://facadomy.org/HOME</link>

		<pubDate>Thu, 14 Jan 2021 16:35:35 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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&#60;img width="1871" height="827" width_o="1871" height_o="827" data-src="https://freight.cargo.site/t/original/i/0fc18b343dad52f95f9728876bc53af4adb2efcf08757a158431717e2991588f/FACA-CHROME.png" data-mid="95087199" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/0fc18b343dad52f95f9728876bc53af4adb2efcf08757a158431717e2991588f/FACA-CHROME.png" /&#62;
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		<title>About</title>
				
		<link>https://facadomy.org/About</link>

		<pubDate>Tue, 22 Sep 2020 02:57:10 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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Façadomy is an intersectional publishing project rooted in desire and liberatory thinking; with an emphasis on close collaborations with artists and architects. The project was founded by Riley Hooker in 2015 with the launch of Gender Talents and has since released a steady drip of thoughtful and subversive work including printed publications, artist editions, digital content, DJ mixes, and events. 

COLLABORATORS
Juliana Huxtable, Andreas Angelidakis, Kimberly R. Drew, Esben Esther Perelli Benestad, Joey De Jesus, May Kim, Oscar Ñ, Ivan Muñuera, Andrew Sloat, Eli Kim, Mylinh Nguyen, Ksena Samaskaya, Clara Balaguer, Nontsikelelo Muttiti, Nancy Davidson, Gitano Pesche, TAKK Architects, Ekene Ijeoma, Rad Mora, Somnath Bhatt, Phoebe Kerr, Ignacio Gatica, Jose Girona, Maria Petschnig, Diamond Stingly, Macy Rodman, PVSSYHEAVEN.
PARTNERSHIPSPIN—UP Magazine, The New York Art Book Fair, The Walker Art Center, The Architects Newspaper, The Van Alen Institute, Virginia Commonwealth University.


In the wild:
NEW YORKPrinted MatterThe New MuseumMcNally JacksonArtbook @MoMA PS1MoMA
BOSTON Mass MoCA

LA Kathleen

CHICAGO IngaIf you are interested in stocking or distributing one of our publications please write to: info@facadomy.org
 
	Stalk us:
︎
info@facadomy.org︎
    @facadomy︎
    @facadomynow
    
    We don't send emails very often, but we try to make them fun.
    Name&#38;nbsp;Email SUBSCRIBE
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	<item>
		<title>Skybox</title>
				
		<link>https://facadomy.org/Skybox</link>

		<pubDate>Tue, 22 Sep 2020 02:57:11 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

		<guid isPermaLink="true">https://facadomy.org/Skybox</guid>

		<description>Search History 
Expanded&#38;nbsp;
Void Division
Collapses

SCROLL TO READ MORE&#38;nbsp;</description>
		
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	<item>
		<title>Editions</title>
				
		<link>https://facadomy.org/Editions</link>

		<pubDate>Tue, 22 Sep 2020 02:57:11 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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		<description>
Can a penis be relieved of its supposed maleness—mere flesh in a psychic void?
From Breaking and Entering by Riley Hooker
Gender TalentsFaçadomy's inaugural publication, Gender Talents explores the landscape of self-determined gender. It builds off the work of progressive sexologist Esben Esther P. Benestad, who has observed seven distinct genders in their practice as a therapist in Norway. Three prominent voices in contemporary art and architecture reflect on these seven themes, intersecting gender with notions of race, sexuality and the built environment.
7 Genders, 7 Typographies

Seven design interlopers reflect on self determined gender in typographic metaphor. 
For The Gradient, Walker Art Center

H4ck3r p3nd3Nt
To some it was the death of grammar, to others it was the grammar of death. 
Brass pendent for the&#38;nbsp;elite gender hacker
	
&#60;img width="443" height="885" width_o="443" height_o="885" data-src="https://freight.cargo.site/t/original/i/8ec7c1e53567af72e77272ed19417a44d1e7942f8550f4ab58b4d0e6a7e8c901/GenderTalents-COVER.jpg" data-mid="83392509" border="0"  src="https://freight.cargo.site/w/443/i/8ec7c1e53567af72e77272ed19417a44d1e7942f8550f4ab58b4d0e6a7e8c901/GenderTalents-COVER.jpg" /&#62;
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&#60;img width="1533" height="276" width_o="1533" height_o="276" data-src="https://freight.cargo.site/t/original/i/335346159e7ed9e12b32af8c1fb8dbafed3e9f1f477f802b0056d720eb4f6c19/GENDERHACKER.png" data-mid="85301383" border="0"  src="https://freight.cargo.site/w/1000/i/335346159e7ed9e12b32af8c1fb8dbafed3e9f1f477f802b0056d720eb4f6c19/GENDERHACKER.png" /&#62;


After the launch of Gender Talents it became clear that both fundraising and rigid, serialized formats felt at odds with what I like about independent publishing. The project evolved into a series of collaborative editions produced by hand.


&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/311a1439bfce0b748ce93b49a47eccc79e6c09ef5926ef5eca435a03742a0d87/Facadomy_triptych_color2.jpg" data-mid="83392516" border="0" alt="A STICKY FERMENTATION ESTABLISHING THE BODY AS A SUBSTANCE" data-caption="A STICKY FERMENTATION ESTABLISHING THE BODY AS A SUBSTANCE" src="https://freight.cargo.site/w/1000/i/311a1439bfce0b748ce93b49a47eccc79e6c09ef5926ef5eca435a03742a0d87/Facadomy_triptych_color2.jpg" /&#62;
&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/7ae0fc0bb600acc4f1ede91775088a24c0bd206e4065420951587c273dd6addc/Facadomy_triptych_color3.jpg" data-mid="83392517" border="0" alt="A FRICTION IN THE MECHANISM OF SELF CONTROL" data-caption="A FRICTION IN THE MECHANISM OF SELF CONTROL" src="https://freight.cargo.site/w/1000/i/7ae0fc0bb600acc4f1ede91775088a24c0bd206e4065420951587c273dd6addc/Facadomy_triptych_color3.jpg" /&#62;
&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/3f64fcfcee8dd5a0b7fcfce82b52f7e0ac23f278a905d9bca36b534b5bd0f0f9/Facadomy_triptych_color1.jpg" data-mid="83392515" border="0" alt="A BLOODY PULPY MESS OF OMNIPRESENT FERTILE MYSTERY" data-caption="A BLOODY PULPY MESS OF OMNIPRESENT FERTILE MYSTERY" src="https://freight.cargo.site/w/1000/i/3f64fcfcee8dd5a0b7fcfce82b52f7e0ac23f278a905d9bca36b534b5bd0f0f9/Facadomy_triptych_color1.jpg" /&#62;


A New Pantheon
Three deities who short circuit between pixels, genders, bodies, and edges
A Risograph tryptic with artist Somnath Bhatt


&#60;img width="2189" height="2767" width_o="2189" height_o="2767" data-src="https://freight.cargo.site/t/original/i/81b588ec8c365fe475c560a045c09837c78f211f51c7550c5c4f2d7aad6c8abe/BELLYFACES-SPREAD.png" data-mid="83392639" border="0" alt="featuring Marty Feldman, Frau Gerda, Wautzi (and others)" data-caption="featuring Marty Feldman, Frau Gerda, Wautzi (and others)" src="https://freight.cargo.site/w/1000/i/81b588ec8c365fe475c560a045c09837c78f211f51c7550c5c4f2d7aad6c8abe/BELLYFACES-SPREAD.png" /&#62;
Belly FacesAn artist’s signature world of grotesque, erotic and humourous domesticityArtist book with Maria Petschnig


&#60;img width="1000" height="1545" width_o="1000" height_o="1545" data-src="https://freight.cargo.site/t/original/i/7878ac4aed4821931747d6b31e75aa8cb7f55d698d24bc5f2ff80e3dd5d51eae/FIDEL-OG.jpg" data-mid="235841983" border="0" alt="a code as dangerous as it is delicious" data-caption="a code as dangerous as it is delicious" src="https://freight.cargo.site/w/1000/i/7878ac4aed4821931747d6b31e75aa8cb7f55d698d24bc5f2ff80e3dd5d51eae/FIDEL-OG.jpg" /&#62;

The Most Audacious FlavorAn architectural horror/pleasure matrix with Strawberries at the center of Fidel Castro, Ice Cream, Desire and Persecution With critic Ivan L. Muñuera


&#60;img width="1976" height="3012" width_o="1976" height_o="3012" data-src="https://freight.cargo.site/t/original/i/29fae73978c6d963e60531237c64e501b1713d4d99d96a3964fd27ff366fd723/IMG_0851.png" data-mid="84717569" border="0" alt="THEY ARE DIVINE MUTANTS WHOS BODIES CRAWL UNDER, FLY OVER AND BREAK THROUGH" data-caption="THEY ARE DIVINE MUTANTS WHOS BODIES CRAWL UNDER, FLY OVER AND BREAK THROUGH" src="https://freight.cargo.site/w/1000/i/29fae73978c6d963e60531237c64e501b1713d4d99d96a3964fd27ff366fd723/IMG_0851.png" /&#62;

INTERSEXOSomewhere between a clay tablet and mucal slime 
Resin tablet edition with Juliana Huxtable


Is that maleness innate or was it acquired and then performed? Can gender flow across somatic and cognitive planes throughout one's lifetime and forego a predetermined path altogether? Once considered radical, these are now rudimentary inquiries within the context of queer theory, but can such questions manifest into tangible realities today? How do we take steps away from essentialist assumptions about gender? Unless one has experienced such a relationship to gender within one's self, learning in this subject can only occur when appropriate language is in place. One prominent voice who constructs that vocabulary is Esben Esther P. Benestad, a sexologist and one of Norway's most public trans figures.I first encountered Benestad in 2012, at a symposium organized by the artist Carlos Motta for his program, "We Who Feel Differently" at the New Museum in New York. I felt immediately taken by Benestad's flamboyance and unabashed reappropriation of medical diction in hir work as a sexologist and therapist in Norway. While Benestad acknowledges the human tendency toward categorization as a tenet to organizational thinking, they simultaneously resist the didacticism so often embedded in categorical frameworking. It is within this context that they have identified seven unique genders. These categories are not structured within the dominant narratives of hir field but have instead been observed through conversations with real people. Each conversation marks a movement from pre-determined to self-determined gender—a discourse of subjectivity. In Benestad's work, categorization no longer provides an overarching systemization of logic but instead serves to document an ongoing collective desire to access more nuanced terrain in regards to perceptions of gender. Furthermore, our maps of this terrain must be revised by a fundamental assumption that gender is far more fluid than our existing vocabulary can describe. In Benestad's own words:I talk about "gender talents" because in that way I am opposing medicalizing terms like "syndrome," and "misshape," for example, I use the word "phenomenon." I think it is much better for a human being to be a phenomenon than to be a kind of walking disease or misfortune. In that way, I try to add to the language words that are much more positive. "talent" is a positive word. I have a very strong talent for being trans.While entirely new languages for gender have been the subject of great science fiction works, on earth in 2015, Benestad has made a practice of gradually kneading language. In most cases they favor a redefinition of the vernacular in place of inventing new words. Hir ideas are progressive in function but hir vocabulary remains familiar, expanding the lexicon of gender theory without erecting yet another barrier between those who have access to specialized rhetoric and those who do not.The language around Benestad's work is as performative as gender itself. These seven categories—born out of individual expression—range from familiar to rare. These categories are by no means presented as definitive terms for gender. There are countless other methods of classification currently in practice and the possibility for variation is endless. What Façadomy presents here are merely alternative ways of seeing; to quote Marcel Proust, as they do in the beginning of hir lecture titled Gender Euphoria:The real voyage of discovery consists not of seeking new landscapes, but in having new eyes.
This first installment of Façadomy attempts just that—to navigate these categories through the eyes of another. Andreas Angelidakis presents a selection of buildings and chairs that embody Benestad's phenomena. Kimberly R. Drew pairs each gender category with a contemporary artist's work and Juliana Huxtable constructs poetic texts that imagine individuals as they channel their respective gender identities. Their perspectives are presented as a way of looking, never the way of looking. The intention is to not assert declarative, didactic assessments, but rather to use image and text to fluidly hint at a multiplicity of vantage points; to allow the buildings, objects, artworks and voices in the following pages to become part of an ever-expanding language for ever-evolving possibility.—Riley Hooker


009


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		<title>Skybox</title>
				
		<link>https://facadomy.org/Skybox-1</link>

		<pubDate>Tue, 22 Sep 2020 17:25:04 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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		<description>MORE
↓↓↓↓MORE
↓↓↓↓MORE</description>
		
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		<title>Editions</title>
				
		<link>https://facadomy.org/Editions-1</link>

		<pubDate>Tue, 22 Sep 2020 23:50:26 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

		<guid isPermaLink="true">https://facadomy.org/Editions-1</guid>

		<description>
	

Welcome to the alternative present. Here we take truth as the unstable subject, not by failing to locate it in the shadow world, but by scrapping it for parts.&#38;nbsp;


	&#60;img width="1342" height="1576" width_o="1342" height_o="1576" data-src="https://freight.cargo.site/t/original/i/19b6ef4ded0a87c787428b6b11a31c2cc30864a62e3e8098b7ddb93e28ab39da/Screen-Shot-2020-11-16-at-3.37.26-AM.png" data-mid="88942436" border="0"  src="https://freight.cargo.site/w/1000/i/19b6ef4ded0a87c787428b6b11a31c2cc30864a62e3e8098b7ddb93e28ab39da/Screen-Shot-2020-11-16-at-3.37.26-AM.png" /&#62;
	C8LYN


C8LYN is both the critic, Macy Rodman and the subject, Caitlyn Jenner—a new enitity designed to the thrive in a state of disorentation by leaning in to fraud like a virtue. She is a 21st century iconoclast working in the immaterial realm. A vector of self determination programmed to deceive and to delight. A three sided coin. A lie which tells the truth—an attempt at a new realism. 


	CODE PINKHow to become a more attractive, confident and sensual woman by C8LYN M. Jenner.
	
&#60;img width="600" height="900" width_o="600" height_o="900" data-src="https://freight.cargo.site/t/original/i/0bbce8c37a567443ee1d63e24e8076fa344df266431ae176a73922c079ebce51/BEAUTY.jpg" data-mid="87399228" border="0" data-rotation="12.5" src="https://freight.cargo.site/w/600/i/0bbce8c37a567443ee1d63e24e8076fa344df266431ae176a73922c079ebce51/BEAUTY.jpg" /&#62;


Façadomy presents our new publishing season Alternative Present. An alternate reality that begins with a simple observation: We can not agree on the truth, however, we can agree that there is in fact falsehood. We embody this paradox by taking truth as our unstable subject, not by failing to locate it in the shadow world, but by scrapping it for parts. 


	&#60;img width="694" height="692" width_o="694" height_o="692" data-src="https://freight.cargo.site/t/original/i/3213513eb8a73f2b4bb8ebcf51bea40fc2b4a439f6f001762a76e68b2e88000e/Screen-Shot-2020-04-18-at-1.53.10-PM.png" data-mid="85234348" border="0" data-scale="90" src="https://freight.cargo.site/w/694/i/3213513eb8a73f2b4bb8ebcf51bea40fc2b4a439f6f001762a76e68b2e88000e/Screen-Shot-2020-04-18-at-1.53.10-PM.png" /&#62;

	DADDY’S LITTLE GIRL
“I’m becoming a really good shot, and I think Daddy’s getting a little jealous.”


	EVIDENCEHow to Get Away with Manslaughter.


	&#60;img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/acdd67401d539b941e9309f189cf1ccb377cad0c61e1413d66e6b054cd30bf7d/6_RODMAN_CHANG.jpg" data-mid="88943068" border="0"  src="https://freight.cargo.site/w/1000/i/acdd67401d539b941e9309f189cf1ccb377cad0c61e1413d66e6b054cd30bf7d/6_RODMAN_CHANG.jpg" /&#62;


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		<title>Editorial Header</title>
				
		<link>https://facadomy.org/Editorial-Header</link>

		<pubDate>Sun, 11 Oct 2020 20:50:11 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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		<description>

	&#60;img width="1250" height="1250" width_o="1250" height_o="1250" data-src="https://freight.cargo.site/t/original/i/67f02190960bc20aff3f395204c080824533f78b3052c33a7ec28ae02d8f23fc/SQUARE-CROPS2.jpg" data-mid="88760226" border="0"  src="https://freight.cargo.site/w/1000/i/67f02190960bc20aff3f395204c080824533f78b3052c33a7ec28ae02d8f23fc/SQUARE-CROPS2.jpg" /&#62;
EVIDENCE
Photography by Emily Chang 
Fashion by Cameron Cooper

	&#60;img width="1250" height="1250" width_o="1250" height_o="1250" data-src="https://freight.cargo.site/t/original/i/dbddc2f5a852952df76bb6d748db7ee6000bca5838720f7a73af4bf5bfe93bcd/SQUARE-CROPS3.jpg" data-mid="88760227" border="0"  src="https://freight.cargo.site/w/1000/i/dbddc2f5a852952df76bb6d748db7ee6000bca5838720f7a73af4bf5bfe93bcd/SQUARE-CROPS3.jpg" /&#62;
Call me C8
Caitlyn Jenner in Conversation 
with Artist and Friend Zachary Drucker
	&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/0275c2b6f45141c4557b2b025db3b4b37b51e298888c1cf2f24b316cad9158d1/ELLEN.jpg" data-mid="95086240" border="0"  src="https://freight.cargo.site/w/800/i/0275c2b6f45141c4557b2b025db3b4b37b51e298888c1cf2f24b316cad9158d1/ELLEN.jpg" /&#62;The Ellen Show&#38;nbsp;Ellen Talks Pandemic Survival With Caitlyn featuring Adam Radakovic (AKA Cunty Crawford) as Ellen


	&#60;img width="1250" height="1250" width_o="1250" height_o="1250" data-src="https://freight.cargo.site/t/original/i/127de1f86fb4e5f1cc950f345ad2737561487a07192c79d63c84443338431c5c/SQUARE-CROPS7.jpg" data-mid="88760231" border="0"  src="https://freight.cargo.site/w/1000/i/127de1f86fb4e5f1cc950f345ad2737561487a07192c79d63c84443338431c5c/SQUARE-CROPS7.jpg" /&#62;Object Lessons 
A Diverse Group of Artsts Discuss Their Objects of Influence


	&#60;img width="432" height="432" width_o="432" height_o="432" data-src="https://freight.cargo.site/t/original/i/87e5a4e2b71db6e8147ec6dfeac4568160f2ce4f496593853bf2aff6fc784f82/7G7T.gif" data-mid="88767911" border="0"  src="https://freight.cargo.site/w/432/i/87e5a4e2b71db6e8147ec6dfeac4568160f2ce4f496593853bf2aff6fc784f82/7G7T.gif" /&#62;7 Genders, 7 Typographies 7 Graphic Design Interlopers Expand on Self Determined Gender in Typographic Metaphor
	

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		<title>Golf Noir </title>
				
		<link>https://facadomy.org/Golf-Noir-1</link>

		<pubDate>Sun, 11 Oct 2020 22:31:51 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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		<description>&#60;img width="1336" height="277" width_o="1336" height_o="277" data-src="https://freight.cargo.site/t/original/i/7855b95f90283bc2083ac0c1c6ce6206ad62907fcc31a9413ae2ec21017f6536/EVIDENE.png" data-mid="114134739" border="0"  src="https://freight.cargo.site/w/1000/i/7855b95f90283bc2083ac0c1c6ce6206ad62907fcc31a9413ae2ec21017f6536/EVIDENE.png" /&#62;PHOTOGRAPHY EMILY CHANG
	FASHIONCAMERON COOPER
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		<title>Golf Noir Text</title>
				
		<link>https://facadomy.org/Golf-Noir-Text</link>

		<pubDate>Sun, 11 Oct 2020 22:32:03 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

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	Dress in Republican Red MICHAEL KORSGlove TITLISTEarrings ALEXIS BITTAR


&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/75e222f6036ea6b1427a4b526f338a2e273c0adbf33ad1304d92391a9f947d97/EVIDENCE_0010_Frame-1.jpeg" data-mid="114131816" border="0"  src="https://freight.cargo.site/w/1000/i/75e222f6036ea6b1427a4b526f338a2e273c0adbf33ad1304d92391a9f947d97/EVIDENCE_0010_Frame-1.jpeg" /&#62;
A police envelope with a tamper-proof seal containing fourteen eerily provocative 4x6 glossy photos depicting a devious C8LYN in an unknown setting, that is somewhere between a Film Noir set and a small-town VFW.


&#60;img width="480" height="672" width_o="480" height_o="672" data-src="https://freight.cargo.site/t/original/i/6404dbcf8e02a2b94a35d57393f306295fccb8c346e56cb80c2457cdbd9dca07/EVIDENCE-4x6-Photos.jpg" data-mid="114131987" border="0"  src="https://freight.cargo.site/w/480/i/6404dbcf8e02a2b94a35d57393f306295fccb8c346e56cb80c2457cdbd9dca07/EVIDENCE-4x6-Photos.jpg" /&#62;
&#60;img width="480" height="672" width_o="480" height_o="672" data-src="https://freight.cargo.site/t/original/i/d06478590f38f009d18e8e4fb93ac0e7ae20cd53bf7d6f7dc5099fbf6ea0950c/EVIDENCE-4x6-Photos2.jpg" data-mid="114131988" border="0"  src="https://freight.cargo.site/w/480/i/d06478590f38f009d18e8e4fb93ac0e7ae20cd53bf7d6f7dc5099fbf6ea0950c/EVIDENCE-4x6-Photos2.jpg" /&#62;


Gown BADGLEY MISCHKAEarrings ALEXIS BITTARPerfume GUCCI BY GUCCI
Shoes FILA

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	<item>
		<title>Golf Noir Closeup 1</title>
				
		<link>https://facadomy.org/Golf-Noir-Closeup-1</link>

		<pubDate>Sun, 11 Oct 2020 22:48:23 +0000</pubDate>

		<dc:creator>Facadomy</dc:creator>

		<guid isPermaLink="true">https://facadomy.org/Golf-Noir-Closeup-1</guid>

		<description>Glasses YVES SAINT LAURANT</description>
		
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